DCASE Neighborhood Access Program — Idea Submission

Jay RebL × A Neighborhood

The actual Idea Submission content — DCASE's 4 required questions, answered, plus a full recording script — ready the moment a neighborhood-resident lead applicant is confirmed and the 2027 portal opens.

Draft — lead applicant not yet identified

01 — Eligibility, Checked Against the Actual Rule

Who Can Be Lead Applicant

Quoted directly from DCASE's 2026 NAP guidelines (Eligibility Criteria, p.7): the lead applicant "must reside/be located in the city of Chicago with a valid street address" and "must reside/be located in the neighborhood where the project will take place." Checked against what's actually known about this project's people:

Lead applicant must reside/be located in the city of Chicago with a valid street address (no P.O. boxes).

Ras Tafari Inc: South Holland, IL — not Chicago. Jay RebL: Evanston/Skokie area — also not Chicago.

Lead applicant must reside/be located in the neighborhood where the project will take place.

Depends entirely on who the lead applicant ends up being — see Recommended Structure below.

Must demonstrate at least a one-year history of creating, curating, or producing relevant community/creative work.

Jay RebL has performed professionally since 2006; SelassieFest (Ras Tafari Inc) ran its first full cycle in 2026.

Project must take place in the same neighborhood as the lead applicant's current primary residence/address.

Same dependency as above — this is the one rule that actually decides who can be lead.

"Organizations and individuals located outside of the neighborhood... are welcome to apply as a partner with an eligible individual or organization."

This is the path forward — quoted directly from the guidelines. Ras Tafari Inc + Jay RebL as partners, not lead.

Recommended Structure

Guidelines, quoted verbatim: "Organizations and individuals located outside of the neighborhood where their project will take place are welcome to apply as a partner with an eligible individual or organization." Neither Ras Tafari Inc nor Jay RebL can be lead applicant as things stand — but both can be named partners under an eligible Chicago neighborhood resident (an individual artist, a block club, or a community organization actually based in the target neighborhood). Finding that lead applicant is the single most important open item before this can be submitted — every [NEIGHBORHOOD] placeholder below resolves the moment that person or org is identified.

02 — Project Requirements

What DCASE Requires

  • Must involve arts or cultural activities.

  • Must have a primary goal to serve residents of a specific neighborhood or community (not citywide or Chicago in general).

  • Must take place in the same neighborhood where lead applicant's current primary residence/address is located.

  • Projects must engage neighborhood residents as participants or audiences within the grant's performance window.

03 — The Idea Submission

DCASE's 4 Required Questions

Quoted verbatim from "How to Apply" (p.16-17). Choose ONE submission format for all four — narrative, a recording, or a slide deck, not a mix. This draft answers all four in writing here, and separately as a spoken recording script in Section 04.

Why you want to do this project

Jay RebL already runs an unfunded, informal version of this: turning a stranger's one word or one sentence into a melody on the spot (his "On the Street" format). This project turns that into a structured, funded community program — free songwriting workshops that put a neighborhood's own stories into its own songs, followed by a free public showcase that performs the results.

What you hope to accomplish

A series of community songwriting workshops where [NEIGHBORHOOD] residents work directly with Jay RebL to turn a personal or neighborhood story into a real song hook — followed by one free, all-ages neighborhood showcase presenting those songs alongside Jay RebL's own catalog, staged as an acoustic-to-electric set (see the companion Technical Rider & Run of Show).

Who will be involved

Jay RebL — lead artist and workshop facilitator. Ras Tafari Inc (runs SelassieFest, Chicago) — producing partner, not lead applicant. [LEAD APPLICANT — TBD]: an individual artist, block club, or community organization actually based in [NEIGHBORHOOD], who applies as lead per NAP's residency rule. Neighborhood residents — as workshop participants and showcase audience.

When and where it might take place

[NEIGHBORHOOD], Chicago — exact site TBD, ideally a space the neighborhood already gathers in (a field house, park space, or community center). Workshops would run over several weeks, closing with one showcase timed inside NAP's grant performance window.

04 — Recording Option

Audio Idea Submission

NAP's file-type rules explicitly allow mp3 as a direct upload (jpeg/jpg/png/tif/tiff, pdf, and mp3 are the only allowed direct uploads — video must be submitted as a link, not a file). A voice recording of Jay RebL reading the script below, kept to 5 minutes, satisfies the "Recording" submission option on its own — no narrative or slide deck needed alongside it.

Recording — pending

No audio file uploaded yet. Record the script below (aim for 5 minutes or under), export as .mp3, and it goes here.

Placeholder

Full Narration Script

Written to run close to 5 minutes at a natural speaking pace. Every [NEIGHBORHOOD] and [South/West] is a placeholder — fill those in once a lead applicant is confirmed, then read it straight through and record.

Hey — I'm Jay RebL. I make music that moves between R&B, hip-hop, reggae, and dancehall, and I've been doing that professionally since 2006. I was born in Spanish Town, Jamaica, and these days I'm based on Chicago's North Shore. Right now I'm the opening act for Charly Black on TRC Events' lineup here in the city. But this idea isn't about my show. It's about something I already do for free, most weeks, that I want to turn into an actual program. I call it "On the Street" — I stop a stranger, ask for one word, one sentence, one story, and I turn it into a melody right there on the spot. It works because people already have the story. I'm just the one who knows what to do with it musically. I want to bring that into [NEIGHBORHOOD], not as a clip for content, but as something real that stays with the block after I leave. Here's what I want to build. First, a series of free community songwriting workshops — residents of [NEIGHBORHOOD] sit down with me, and we turn a story they already have — about the block, about their family, about the neighborhood's own history — into a real song hook. Not something I write about them. Something we write together, in the room. Then we close it out with one free neighborhood showcase. A live concert, open to everybody, no ticket required, where we perform the songs that came out of those workshops, side by side with my own catalog. I want to build that set the way the roots reggae shows I grew up on used to run — strip it all the way down to just guitar and hand drum first, so people actually hear the words, then bring in the full band and the sound system for the back half, so the night ends the way a dancehall night is supposed to end: loud, and together. Who's involved: this is a partnership, not a solo project. Ras Tafari Inc — the Chicago nonprofit that runs SelassieFest — is backing this as the producing organization; they've got a real track record running community reggae programming in this city. I'm the lead artist and the one running the workshops. And the actual lead applicant on this grant is going to be someone who actually lives in [NEIGHBORHOOD] — because that's who this program is really for, and that's whose name belongs on the paperwork, not mine or the organization's. As for when and where — we're proposing this for [NEIGHBORHOOD], on Chicago's [South/West] Side. The workshops would run over several weeks, and the free showcase would close it out as one event, timed to land inside the grant's performance window. Nothing about this needs a venue that doesn't already exist in the neighborhood — a field house, a park space, wherever people there already gather is exactly where this belongs. That's the idea. A story a resident already has, turned into a song, performed for the whole block, for free.

05 — Review Criteria Alignment

How This Gets Scored

Strength of proposed project

Artistic merit paired with meaningful resident engagement, and feasibility based on applicant experience. Jay RebL's own touring/recording history plus Ras Tafari Inc's 2026 SelassieFest track record both speak directly to feasibility.

Increasing Access

The project should take place within a priority neighborhood and/or support a historically disinvested community — which depends entirely on which neighborhood the eventual lead applicant is based in.

Benefit to communities

A free, all-ages public showcase plus hands-on workshop participation — both a wide-reach event and a deep, personal creative experience for workshop participants.

Community experience

This is the criterion the eventual neighborhood-resident lead applicant needs to speak to directly — DCASE wants to see the lead's own relationships and track record in that specific neighborhood, not just the partners'.

06 — Timing

2026 Cycle Is Closed

The dates quoted throughout this page (Idea Submission portal opened June 2026, deadline July 1, 2026 at noon CT, finalists notified Sept 15, 2026, grant period Oct 1, 2026 – Dec 31, 2027) are DCASE's 2026 cycle — already closed. 2027 guidelines aren't published yet. This page exists so the moment they are, only the lead applicant and the neighborhood name need to be filled in before submitting.